By application
Management
Somebody steering the career, not just closing the deal. I pitch you, negotiate, paper the contracts, chase the invoices and stay in the work with you. Very few places.
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By application
Content Day
A full day shooting with another creator in your city and a photographer I have found for you. You leave with a month of content instead of a plan to make some. It runs on matching, so it starts with an application rather than a checkout.
Priced once I have matched you
Applying costs nothing and commits you to nothing. You get a price only once I know who is available in your city, and you decide then.
What it is
Shooting alone is slow, awkward, and the reason your content plan is still a plan.
The thing that actually stops most creators is not skill and it is not ideas. It is that nobody has blocked out a day, found a photographer, and put another person in the room so the first hour feels less strange.
So this is a match rather than a package. You tell me where you are and what you shoot. I find a creator near you who makes sense to shoot alongside, and a photographer or videographer who is worth the money in that city. Then the three of you go out for a day.
Two creators in a room make better work than one. You shoot each other, you cover twice the setups, and you both walk away with a month of content instead of half a day of it.
How it runs
Application first, price second. That order matters.
1
You apply
Hit the apply button and the form opens. Your city is the important one, because it decides whether this is possible at all and what it costs.
2
I go and look
For a creator near you worth pairing with, and a photographer or videographer in that city. This is the part that takes time and it is the part I cannot promise.
3
You get a yes or a no, and a number
If I can put it together, I come back with who, when and what it costs, priced on that city rather than a figure I published in advance. If I cannot, I tell you, and you have paid nothing.
4
The day itself
A full day. Shot list built from what you are actually pitching, not from a mood board. Edited work back to you afterwards, ready to use rather than ready to sort through.
Apply
Apply for a content day.
Most of these are one line. Your city is the one that decides everything else, so be specific about it. I read these myself and I answer every one, including the ones I have to say no to.
This is an application, not a booking. Nothing is held and nothing is owed. If I cannot find a creator and a photographer near you, I will tell you, and that is the end of it.
Rather talk it through first? The free call is fifteen minutes and there is no pitch at the end of it.
What the day includes
Five things, and the second one is the whole idea.
- A photographer or videographer, found and briefed for that city, for the day
- Another creator to shoot alongside. Matched on your city and your niche, so it is somebody it makes sense for you to be seen with
- A location that suits what you shoot rather than whatever was free
- A shot list built from your pipeline. The brands you are pitching, the deliverables you are quoting, the formats you actually post
- Edited assets back afterwards, both of you, ready to use
Honestly
Who this is for, and who it is not.
Right for you if
- You know what to post and have nothing shot
- You are pitching brands and your feed does not yet look like the work you are asking to be paid for
- You are in or near a city with other creators in it
- You would rather buy a day than buy a camera
Not right for you if
- You have not worked out your positioning yet. Shooting the wrong thing beautifully is still the wrong thing
- You need it this week. Matching takes time and I will not rush it
- You want to shoot alone. The second creator is the point, not an extra
Read this before you apply
Applying is not approval, and it is not a booking. Everything here depends on there being a creator near you worth pairing with and a photographer in that city who is worth what they charge. Some cities that is easy. Some cities I will not be able to do it at all, and I will tell you that plainly rather than stretch to fill a day.
There is no price on this page on purpose. A photographer in one city and a photographer in another are not the same number, and I am not going to publish a figure I then have to exceed. You get a real one once I know who is available, and you decide then. Nothing is owed before that.
Dates are always subject to the photographer and the other creator, so treat everything as provisional until all three of you have confirmed.
Fair questions
The ones people actually ask.
Who is the other creator?
Somebody near you, in a niche that makes sense next to yours. I tell you who before anything is booked, and if it is not a fit you say so and I keep looking.
Nobody is named to you before there is a real conversation with that person, and nobody appears on this site as a client without permission.
What if you cannot find anyone in my city?
Then I tell you and it stops there. You will not have paid anything, because the price comes after the match, not before it.
It is still worth applying, because the applications are how I find out which cities this works in.
Do I need my own equipment?
No. There is a photographer or videographer on the day. The form asks what you have because it changes what is worth booking, not because you need anything.
How is it priced?
On the city, the length of the day and how much editing comes back. You get one number, in writing, before you commit to anything.
It is included in full inside Ninety Days, which is the cheapest way to get one.
Other ways in
Three more, if this is not the one.
Coming soon
Workshops & Webinars
Live group sessions, small enough that you can ask a question and get a real answer.
$55
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Coming soon
Marketing Advisory
For businesses, not creators. Your funnel, your offer, your positioning and your creator spend.
$195
See what’s inside →